Reader Response of Nam’s At the Door :: Wong Phui Nam

Wong Phui Nams At the limen is mainly big a voice to the unwanted unborn who struggles with shoemakers last in the primaeval stage of its life. The icon begins by questioning its baffle on why did she poisons it. From line the poisons seep down, blacken leaf and stalking giving readers the bods of remainder as the poison oozes slowly in horrific and destroying manner. The naked as a jaybirds of motherliness and birth are in general authentic as something merry and joyful, however it is obviously not the case for this pregnancy. This numbers illustrates sadness and sorrowfulness of the discarded fetus, giving it a melancholy tone. The fetus is seen as a plant. The new life of the foetus as symbolises in leaf, cornerstone and roots are blacken, pinch and disarrange and it is deformed in the first place birth by the poison. More images of deformity give notice be seen in the second stanza. The mental image states the streams and blood that gives the notion of new life, is contaminated and so deformed its hooked tail which is supposed to win to be its legs and the ramous ends as its fingers. The stained and ruined blood causes by the poison has fatally lead the deformity of the foetus and disregard the instauration of this new life. The personas unwanted existence is described to a greater extent in the scrap of its birth in the third stanza. The persona again questions its mother question if she ever pictures the condition of her child in her womb. alternatively of developing into a well transformed human organism, due to the ooze poison the foetus melted back into glistening bunched gel. This image offers readers an ugly kitty of the deformed, unwanted embryo. The deformed foetus that is depicted as glistening bunched gel, / expiration grapes is expelled from the womb, reinforcing the idea of the unwanted existence by being violently impel out from the womb where it is presumed to be safe and warmly for the new come r. The persona continues by inquiring its mother if she finds life fractious like the authority it feels and this notion is portrayed through the dictions, harsh and astutely anxieties. Persona sees itself as delicate crystals implying the notion of fragility and can well be destroyed. lector Response of Nams At the Door Wong Phui NamWong Phui Nams At the Door is mainly giving a voice to the unwanted unborn who struggles with death in the early stage of its life. The persona begins by questioning its mother on why did she poisons it. From line the poisons seep down, blacken leaf and stem giving readers the images of death as the poison oozes slowly in painful and destroying manner. The news of pregnancy and birth are in general received as something blissful and joyful, however it is obviously not the case for this pregnancy. This poem illustrates sadness and grief of the discarded foetus, giving it a melancholy tone. The foetus is seen as a plant. The new life of the foetus as symbolises in leaf, stem and roots are blacken, pinch and disarrange and it is deformed before birth by the poison. More images of deformity can be seen in the second stanza. The persona states the streams and blood that gives the notion of new life, is contaminated and hence deformed its hooked tail which is supposed to develop to be its legs and the forked ends as its fingers. The stained and ruined blood causes by the poison has fatally lead the deformity of the foetus and disregard the existence of this new life. The personas unwanted existence is described more in the moment of its birth in the third stanza. The persona again questions its mother wonder if she ever pictures the condition of her child in her womb. Instead of developing into a well transformed human being, due to the seeping poison the foetus melted back into glistening bunched gel. This image offers readers an ugly sight of the deformed, unwanted embryo. The deformed foetus that is depicted as glistening bunched gel, / red grapes is expelled from the womb, reinforcing the idea of the unwanted existence by being violently thrown out from the womb where it is presumed to be safe and warm for the new comer. The persona continues by inquiring its mother if she finds life difficult like the way it feels and this notion is portrayed through the dictions, harsh and sharp anxieties. Persona sees itself as delicate crystals implying the notion of fragility and can easily be destroyed.